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诗人即人师:华兹华斯教育思想研究(外国语言文学学术论丛) - 中国高校教材图书网
书名: 诗人即人师:华兹华斯教育思想研究(外国语言文学学术论丛)
ISBN:978-7-300-26973-3 责任编辑:
作者: 徐红霞  相关图书 装订:0
印次:1-1 开本:0
定价: ¥48.00  折扣价:¥43.20
折扣:0.90 节省了4.8元
字数: 150千字
出版社: 中国人民大学出版社 页数:
出版日期: 2019-05-31 每包册数: 10
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内容简介:
作为英国浪漫主义时期最重要的诗人之一,威廉·华兹华斯毕生关注教育问题,其文化影响力自十九世纪中期以来长盛不衰,然而国内外鲜有专著系统讨论华兹华斯的教育观点、方式及影响。华兹华斯曾宣称,伟大的诗人都是人师,他希望或被认作人师,亦或无名之辈。本书以此为线索,结合华兹华斯早、中、晚期的作品及十八、十九世纪英国的教育实践发展,从多种角度探讨诗人对英国教育问题的诗意和实际介入。作者既在实践层面比较华兹华斯的教育思想与同时代哲学家、教育家、政治家的异同,也关注诗人在诗歌创作中逐渐形成的诗意教育观,分析其如何通过多种写作策略培育大众读者的诗意想象力,还从受众角度分析华兹华斯作为诗人-人师在十九世纪中后期的教育及文化影响。

作者简介:
徐红霞,英国爱丁堡大学英语文学博士,现任中国人民大学外国语学院讲师,硕士生导师。主要研究领域包括英国浪漫主义诗歌、十九世纪英国文学、文学与教育等。近年来在《外国文学评论》《外国文学》《国外文学》等期刊发表论文多篇,代表作有《华兹华斯的<远游>与十九世纪英国国民教育》。

章节目录:
List of Abbreviations
Epigraphs
Introduction
Chapter 1 Wordsworth as a Critic of Practical Education
Chapter 2 Wordsworth’s Alternative of Poetic Education
Chapter 3 The Poet as Teacher of the Reader
Chapter 4 Wordsworth Edited for Educational Purposes
Conclusion Why Wordsworth Still Matters
Bibliography

精彩片段:
The Poetic Education of Wordsworth’s Speakers
The poetic speakers whose education will be examined include the “I” in Wordsworth’s autobiographical verse The Prelude, the Female Vagrant in the Salisbury Plain poems, and the Pedlar in The Ruined Cottage who later becomes the Wanderer in The Excursion. All of their educational backgrounds were under constant revision over a period of around forty years, which offers an opportunity to study the changes and development of Wordsworth’s views on poetic education. Each version and revision bears the mark of Wordsworth’s concerns of poetic education at the time of composition, which has a certain correspondence with his general views on practical education as laid out in the previous chapter. Through a comparative reading of the revision history of the poetic speakers’ education, this section will reveal a general pattern that nature, books, and religion constitute the most important factors in a poetic education, but their relative importance changes as nature’s role declines and religion’s role ascends with each revision.
To treat the narrative “I” of The Prelude as one of the speakers instead of the poet himself requires some clarification. Stephen Gill reminds readers that as a poem, The Prelude is “a wonderful achievement,” but as an autobiography, “it is open to question” (Life 2). Gill calls readers to “resist the proffered key” of the author, in light of the discrepancies between the facts and Wordsworth’s “interpretative glosses” on them, especially when “the gloss itself . . . is subject to revision.” If The Prelude is “an imaginative treatment of” the growth of a poet’s imagination, then who is the “I” of the narrative? For Michael Benton, The Prelude’s narrator is “not the well-documented figure from literary history,” nor “the implied author,” but rather somewhere between the two, a “persona,” or “a projection of the Poet-self which Wordsworth self-consciously creates as he explores his own life narrative.”
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