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中国戏曲海外传播工程丛书-秦香莲 - 中国高校教材图书网
书名: 中国戏曲海外传播工程丛书-秦香莲
ISBN:9787513536363 责任编辑:
作者: 陈融 编  相关图书 装订:平装
印次:1-1 开本:16开
定价: ¥39.00  折扣价:¥37.05
折扣:0.95 节省了1.95元
字数:
出版社: 外语教学与研究出版社 页数: 224页
出版日期: 2013-12-01 每包册数:
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内容简介:
《中国戏曲海外传播工程丛书:京剧秦香莲》通过介绍“秦香莲”这一民间故事的来源、主要人物及舞台表演,分析故事情节、人物塑造及舞台元素等,并紧紧围绕主人公秦香莲,讲述了离家、结婚、杀庙、铡美等主要情节。同时,《中国戏曲海外传播工程丛书:京剧秦香莲》介绍了京剧的发展历程,剧目种类、京剧派别及生旦净末等戏曲角色以及京剧的舞台艺术,有助于读者通过英语了解京剧及京剧秦香莲的故事。

作者简介:
       陈融,于1979年毕业于西安外国语大学并留校任教,1985年赴美学习、工作,现任美国加利福利亚州立大学英语系主任。陈融博士从事语言学研究二十多年,在国内外14种杂志和出版社发表学术论文20多篇、出版专著2部。陈融博士是国际认知语言学研究方面的知名专家,有关英语倒装句式的专著被收录到国际语言认知学协会最有声望的认知语言从书中,并与国际认知语言学协会创始人迪尔文合作,共创“认知语言学资料库”,并担任主编。

章节目录:
Chapter Ⅰ
Qin Xianglian as a Beijing Opera
1. The origin of the story
2. Synopsis of the plotline
3. Main Characters
4. Performance and Influence
5. Summary of Chapter Ⅰ
Chapter Ⅱ
Interpretation and Appreciation
1. Interpretation
2. Appreciation
Chapter Ⅲ
Qin Xianglian
Dramatis Personae
Scene 1: Departure
Scene 2: Marriage
Scene 3: At the Inn
Scene 4: In Chen's Palace
Scene 5: Meeting Wang Yanling
Scene 6: Birthday Party
Scene 7: Temple Killing
Scene 8: Execution
Bibliography
Appendix: The Beijing Opera ABC
Works Consulted and Cited
 

精彩片段:
3.3.2.From Bao the person to Bao the character

  While Bao Zheng was well known during his life time,he becameeven better known after his death.He captured the imagination ofthe Chinese people for centuries,being made into a hero for literallyhundreds of fictional works,being portrayed as the most admiredgovernment official since the Song Dynasty in hundreds of plays andnovels and thousands of songs,and,most importantly,has been keptalive by the oral tradition,living in the minds of the common folk untilthis day.The following is a brief account of how he has been graduallyidealized into a representation of integrity,justice,and courage.Thisprocess has gone through four stages,arranged chronologically,eachcoincides with a dynasty:the Song,the Yuan(1206-1368),the Ming,andthe Qing.As will be seen below,the Song Dynasty was a time when oralliterature laid the foundation for Bao Zheng to be fictionalized.The YuanDynasty saw the emergence of plays as an art form,which contributedto Bao’s popularity.The short stories in the Ming Dynasty attachedsupernatural qualities to Bao Zheng,making him into a god—like being.Inthe last stage,the Qing Dynasty,however,Bao Zheng returned to the rankof the human being from the elevated status of a god,displaying qualitiesand traits that made him a more realistic representation of a judge forthe masses.

  The first stage ofthe idealization ofBao Zheng took place right afterhis death,in the Song Dynasty.First,one sees sporadic documentationabout him in published sources.The aforementioned demotion of ZhangYaozuo,for instance,is recorded as such:Zhang Yaozuo,an uncle ofthe emperor’s favorite concubine,was promoted instead of demotedupon failures in his former duties.The entire central government wassurprised after learning the news.Bao Zheng,however,was the onlyperson to argue against it in an open deliberation session.He was so can find in the literature.

  The Song Dynasty was the time when storytelling began to emergeas an art form.Storytelling was invented by the blind as a way of makinga living and gradually developed into an art form practiced bv commonartists.Some tellers sang as all as told while others only told.In thebeginning,it was entirely oral.Each teller would have his or her ownrepertoire of stories.These stories were later written down so that thesame story could—and indeed began to-be told by different artists.Thescripts for these stories,it is commonly believed,were the earliest form offiction.

  ……

 
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